And while you might have an intuitive approximation of what these terms mean for America in the 21st century, there’s a good chance that you don’t know much about the deep theory, where the ideology comes from, and what it has planned for America – and the world.
How did we end here? Air conditioning is sexist. Lawns are racist and so are single family homes. Not wanting to be intimate with someone who is HIV positive contributes to homophobia and the spread of AIDS. Physical fitness is a fascist impulse and trying to lose weight is a hateful act.
The underlying theory here is a variant of Marxism, pioneered by early-20th-century Italian Marxist politician and linguist Antonio Gramsci. Gramscian Marxism is a radical departure from Classical Marxism, writes historian Sam Jacobs at Ammo, a regular contributor to The Herland Report. (Feature photo of Odd Nerdrum painting, The Golden Cape.)
One does not need to endorse the Classical Marxism of Marx, Engels and others to appreciate the significant differences between the two. He is easily the most influential thinker that you have never heard of.
Marx’s original idea was that Communism was a historical inevitability, an evolutionary transition that would lead to a bottom-up eruption of revolutionary violence sparked by the Proletariat’s frustration and fury over having been used and abused by the Bourgeoisie for long enough that “the revolutionary subject” (Marx’s term for the broad working class) would overthrow capitalism and usher in socialism.
Cultural Marxism Origins: How its Disciples Subverted America: Gramsci, on the other hand, held that such a revolution was unlikely – particularly in the West, where general prosperity and the lassitude of relative contentment would tend to dull the working class’ passion for a bloody, bothersome overthrow. In successful Western nations, a Marxist state was far more likely to develop through a slow, patient process of incrementalist takeover of the cultural institutions – the arts, entertainment, and news media, and most especially the schools and universities.
As such, the weapon to be used for revolution was not the economic might of an organized working class, but a “long march through the institutions” (a phrase actually coined by German Marxist Rudi Dutschke), whereby every institution in the West would be subverted through penetration and infiltration.
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For Gramsci, culture was more important than either economics or politics.
Gramsci’s divergence from Classical Marxism was nothing short of brilliant; certainly, the results speak for themselves when one considers the social unrest that is gripping America and the West today. In a sense, we are living through the endgame of a Gramscian revolution.
Throughout this article, we will use the term “Cultural Marxism” as a catchall to refer to this phenomenon, because it is the most all-encompassing and does not limit us to discussing any one specific variation (Gramsci, the Frankfurt School or what have you).
“It’s not obvious by any stretch of the imagination why postmodernism and Neo-Marxism or Marxism proper would be aligned because postmodernism is an anti-grand narrative philosophical movement and Marxism is a grand narrative. The fact that these two things seem to coexist in the same space needs some explanation, because it’s a very tricky thing to get to the bottom of.”
Because Cultural Marxism is ideologically distinct from postmodernism and deconstruction, we will not touch on either in this article, though they certainly have been influential on the international left.
The Origins of Cultural Marxism
Cultural Marxism Origins: How its Disciples Subverted America: There is a tiny kernel of Cultural Marxism within Classical Marxism. Namely, that Marx himself was obsessed with the kinds of detailed critiques that later came to characterize Cultural Marxism – for example, The Critique of the Gotha Program, Anti-Dühring (which is actually by Engels), Critique of Hegel’s Philosophy of Right, and A Contribution to the Critique of Political Economy.
This is perhaps best exemplified by the famous remark in Theses on Feuerbach that “philosophers have only interpreted the world, in various ways; the point is to change it.”
Antonio Gramsci, however, seems to be the best place to locate the genesis of Cultural Marxism proper. Gramsci was the son of an Albano-Sardinian low-ranking government official.
Without engaging in too much psychoanalyzing, it is probably not a coincidence that the son of a low-ranking civil servant was able to see the power that low-ranking bureaucrats would have if all of them were guided by the proper ideology.
Gramsci attended the University of Turin where he studied linguistics – not philosophy or economics. Health and financial problems led him to leave his studies prematurely, shortly after he joined the Italian Socialist Party. In this period, as well as the period immediately following the Russian Revolution, Gramsci was a fairly standard Communist, though he did occasionally have disagreements with the party line, none of which are relevant to the development of Cultural Marxism.
Beginning in 1924, he was the head of the Italian Communist Party. For this, he was arrested by the Fascist government in 1926, and sentenced to 20 years in prison under newly enacted emergency laws. He died in prison on April 27, 1937, at the age of 46, due to a number of untreated health problems.
It was in prison that Gramsci began formulating the core of his theory, which would later form the core of leftist thought throughout the West. In the Prison Notebooks, he broke from Classical Marxism, formulating a new and largely distinct ideology:
- Cultural hegemony is a more important factor in maintaining capitalism than economic or political hegemony.
- Cultural and social education of workers must be performed to create a class of worker-intellectuals capable of combating capitalism.
- Civil society is distinct from political society. The latter rules through domination and coercion, whereas the former rules through normalization and consent.
- A rejection of materialism (the primacy of the material world) in favor of a semi-mystical view of history, as well as a greater degree of cultural relativism.
- Further critiques of economic determinism (the notion that economics is the primary driver of human history and civilization) and philosophical materialism (the philosophical claim that the material world is either the only reality or the most important one).
Cultural Marxism Origins: Later theorists, including the famous Frankfurt School, which introduced elements of Freudian psychoanalysis, antipositivism (the notion that human society cannot be studied using the scientific method) and existentialism, a philosophical movement that posits that “being determines consciousness” and sees humanity as necessarily hemmed in by a variety of forces beyond their control.
There has been an attempt to smear the identification of the Frankfurt School and similar currents as Cultural Marxism as an expression of anti-Semitism and (of course) a “conspiracy theory.”
While there are certainly anti-Semites who talk about Cultural Marxism, they often do so from the perspective of an obsession with the alleged “Jewish” nature of the intellectual tendency.
We reject both the characterization of Cultural Marxism as somehow “Jewish” as well as the notion that its existence is a “conspiracy theory.” Nor do we propose that there is some centralized ideological cabal directing the contemporary left from a Cultural Marxist perspective. It is simply that these ideas have become fashionable among the left over the last 50 or so years.
Whatever one seeks to label the modern ideological underpinnings of the left, it is clear that it has its foundation in the ideas articulated by Gramsci, the Frankfurt School and their intellectual descendents such as Rudi Dutschke and others.
Gramsci’s Children: The Frankfurt School
Cultural Marxism Origins: People often refer to the Frankfurt School as some kind of nebulous ideological current. In fact, it was a discrete group of scholars working together at a specific period of time. While they shared many assumptions and conclusions, they were not entirely homogeneous, mostly in terms of their focus of study.
The Frankfurt School was, in fact, the Institute for Social Research, an adjunct facility of the Goethe University Frankfurt.
It was the first fully Marxist research institution at a German university and it was funded through the generosity of well-to-do scion of an Argentine grain merchant, Felix Weil. The Frankfurt School is marked by an interdisciplinary approach. Rather than studying art, culture, politics and philosophy, they studied the interplay between them all from a Marxist perspective.
During the interwar period, the Institute was moved first to Vienna and then to New York City, where they joined Columbia University, to avoid the rise of fascism in Europe.
György Lukács and Reification
Cultural Marxism Origins: The first important figure for our purposes to come out of the Frankfurt School is György Lukács, the son of a wealthy Hungarian investment banker. He is frequently published under the name Georg Lukács. Lukács was no armchair theorist: He was a leading light in the Hungarian Revolution of 1917, as well as one of the leading theoreticians of the Hungarian Red Terror during the Hungarian Soviet Republic.
After the fall of the Hungarian Soviet Republic, he had a falling out with the international leadership of Communism. He later went to the Soviet Union, where he was detained and internally exiled.
He returned to Hungary in 1945. His relationship with Stalinism is ambiguous and a hotly debated topic among historians, but he was the primary instrument by which the Hungarian Writers’ Union was purged.
His primary contribution to Cultural Marxism is reification, the notion that everything becomes an object under capitalism and that people under capitalism are more like things than human beings. He also said that Marxism would still be valid if it were proved to be false, because it is a methodology of social transformation above all else.
Herbert Marcuse and Repressive Tolerance
Cultural Marxism Origins: Another important figure in the development of Cultural Marxism is Herbert Marcuse. He is often referred to as “the Father of the New Left.” It is potentially worth noting that he worked for the Office of Strategic Services, which was the forerunner of the Central Intelligence Agency.
Like Lukács, Marcuse had direct experience in revolutionary movements in postwar Europe. He was a participant in the Spartacist Uprising in Germany, which was an abortive attempt at forming a Soviet-style government in that country.
Curiously, some of his work in the late 1920s and early 1930s was a collaboration with Martin Heidegger, who later became the sort of unofficial philosopher of the Nazi regime in Germany. A number of radicals have cited Marcuse as a major influence, including Angela Davis, Abbie Hoffman and Rudi Dutschke.
Marcuse’s most important contribution as far as we are concerned is the notion of “repressive tolerance.” In his A Critique of Pure Tolerance, Marcuse argues for something that will be familiar to readers of this website: Tolerance should only be applied to left-wing groups and ideas, while right-wing groups and ideas should be mercilessly suppressed.
Specifically, he advocated for “withdrawal of toleration of speech and assembly from groups and movements that promote aggressive policies, armament, chauvinism, discrimination on the grounds of race and religion, or that oppose the extension of public services, social security, medical care, etc.”
Marcuse is perhaps the most influential of the Frankfurt School thinkers in the United States. Anytime you hear a leftist explain why tolerance actually means intolerance, they’re channeling Marcuse.
Max Horkheimer and Critical Theory
Cultural Marxism Origins: Finally, there is Max Horkheimer. The son of a wealthy Orthodox Jewish family, Horkheimer’s father owned a series of successful textile mills in Stuttgart. He was drafted at the beginning of the First World War, but was rejected on medical grounds and then enrolled in Munich University. By 1926, he was in Frankfurt, and by 1930, he was a professor of philosophy at Frankfurt University.
When the Institute for Social Research directorship became vacant, Horkheimer was elected to this position thanks to a mysterious endowment made by an anonymous wealthy businessman.
It was under Horkheimer’s watch that the Frankfurt School’s raison d’être became fusing the ideas of Karl Marx with those of Sigmund Freud. He was the father of Critical Theory, which is less a “theory” than it is a rhetorical technique of viewing everything – except, of course, Critical Theory – through a critical lens and an eye toward discrediting social institutions.
Horkheiumer curiously (though perhaps not surprisingly) arrived at Critical Theory while appraising his own role as the scion of a bourgeois family who was ostensibly a proponent of proletarian revolution.
Perhaps the most didactically “Critical Theory” work of Horkheimer is Dialectic of Enlightenment. Among other things, it argues that popular, mass culture is a sort of mechanized and industrialized means by which authoritarian control is maintained over the broad mass of Westerners.
There are other figures in the Frankfurt School, however to catalog each and every one would make for a much longer text. We present the above three as exemplars of the intellectual tendency and a solid basis for understanding it.
The Long March Through the Institutions
While it is often attributed to Gramsci – and in a sense, he is the godfather of the notion – the “long march through the institutions” was, as stated above, a phrase coined by Rudi Dutschke, a German Communist activist. The phrase itself is a nod to the “Long March” of the Chinese Communists.
The long march represents another significant shift in thought away from Classical Marxism. In Classical Marxist thought, the state is seen as an instrument of class oppression, which can be conquered and used by the proletariat as a weapon against the bourgeoisie. Classical Marxists did not seek to occupy the existing state and leverage it for their own purposes.
Rather, the Classical Marxists believed it was necessary to destroy the instruments of the bourgeois state and construct a proletarian state in its place.
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Some key concepts underlying this theory: First, the state is an instrument of class domination and, as such, is fundamentally based on economics or what Marx called the infrastructure. Everything else – culture, religion, art, politics – was superstructure or something built on top of the class-based, economic structure.
What’s more, “class” is not defined in relative terms, such as how much income one makes or even how much one owns, but rather on the relationship to production. A poor farmer was probably worse off than an urban worker, but was not a proletarian because he owned the means of production, even if these means were meager.
The Bolshevik Revolution in Russia was, in every meaningful sense, a Marxist revolution. A parallel state based on participatory workers’ organizations was led by a self-consciously revolutionary party to topple the existing state and erect a new one in its place.
Indeed, Lenin acted on clear definitions from Marx about what constituted “the state”: “armed bodies of men,” that is to say, police, courts, prisons and the military. The Bolsheviks did not simply take the existing “armed bodies of men” and use them for their own purposes. Nor did the Communists of Eastern Europe. They destroyed existing institutions and replaced them with their own.
The bottom line of the difference between Classical Marxism and Cultural Marxism is that the latter sees the state as effectively neutral – something that can be taken over and used for its own purposes – while the former does not. Cultural Marxism is interested not in revolution in the classical 19th-century sense of throwing up barricades, toppling the monarchy and setting up guillotines.
Its interests lie in cultural transformations, after which other transformations (political and economic) can take place.
The long march through the institutions is in many ways exactly what it sounded like. Proponents of Cultural Marxism were expected to go out there and ingratiate themselves into every aspect of society. Once there, whether this was in bowling leagues or board rooms, they would push their ideology and attempt to transform society.
Cultural Marxism Origins: It wasn’t as dramatic or sudden as the revolution espoused by Classical Marxists and their Marxist-Leninist children, but it was considered both more effective and, more to the point, necessary for fundamental transformation of society. Once the cultural institutions had been changed, political and economic transformation could be enacted.
A final note: The change of the “revolutionary subject” is an important topic to consider. Whereas Classical Marxists were quite dogmatic about their belief that it was only the working class who could effect revolution, Cultural Marxists saw the revolutionary subject basically anywhere else, viewing the traditional Western working class as apathetic at best and actively reactionary, bordering on fascistic, at worst.
This was not entirely limited to Cultural Marxists – the entire Trotskyist movement split after the Second World War over the question of whether or not the Eastern European states were revolutionary and whether or not peasant guerilla warfare was a path to revolution.
Cultural Marxists, however, saw the revolutionary subject virtually anywhere but the working class. Third world peasants, student radicals, the non-aligned movement, racial and ethnic minorities, homosexuals, the mentally ill and transsexuals – all of these and others have been considered the vanguard of cultural revolution around the world by the Cultural Marxists.
The shift of the revolutionary subject from workers to virtually everyone else is effectively an attempt to create a political-coalition-meets-religious-cult centered around notions of victimhood.
The Weaponization of Critique
Cultural Marxism Origins: The primary weapon of the Cultural Marxists is a constant, neverending critique of Western culture and civilization. It’s not a terrible oversimplification to say that the fundamental premise of the “Critical Theory” arm of Cultural Marxism is “when you think about it, isn’t everything kind of problematic?”
Indeed, there is nothing “deep” about this theoretical tack, it is simply a case of “when all you have is a hammer, everything looks like a nail.” This rhetorical technique has informed and distorted virtually every aspect of Western culture – moving far beyond academia and infecting the mass culture.
Air conditioning is sexist. Lawns are racist and so are single family homes. Not wanting to be intimate with someone who is HIV positive contributes to homophobia and the spread of AIDS. Physical fitness is a fascist impulse and trying to lose weight is a hateful act.
All of these might sound silly and marginal, and in a sense they are. However, it is important to note how dramatically the culture in the West has shifted since the 1950s – and how dramatically it has shifted even in the last ten years, when Barack Obama still opposed gay marriage and no serious person advocated that grown men who “identify as women” should be allowed to share restrooms and locker rooms with pre-pubescent girls.
The other important takeaway from this is that the proponents of Cultural Marxism can find a way to tie virtually any topic to some imagined “system of oppression,” then fill in the blanks with the appropriate argument.
In the language of the Cultural Marxists, this is known as analyzing “ruling understandings” or the dominant ideology of a culture. Of course, there is a “dominant ideology” underpinning this method – the notion that every claim or stance requires careful examination from a critical perspective.
Every belief held by Western civilization for the last 100, 200, 500, 2,000 years is subject to a critical analysis, the goal of which is to “expose” the belief as nothing more than a weapon designed to subjugate and suppress members of the coalition of victims that Cultural Marxism seeks to assemble in its war against Western civilization.
Far from being a neutral form of analysis, Cultural Marxism starts with the assumption that every aspect of Western civilization is some kind of a conspiracy (conscious or otherwise) to keep a certain group of people in their place. This creates what Victor Davis Hansen has called a “subjective righteousness.”
There is no place for individual responsibility for good or for ill. Rather, there is only the analysis of power. Those who are judged to have it, by the priests of Wokeness (effectively a Cultural Marxist framework), can do no right. Those who attack them can do no wrong.
Cultural Marxism Origins: Eternal truths, no matter how self-evident, are not truths at all, but narratives constructed by a ruling elite to perpetuate their own rule.
Absolutely nothing is to be spared from the ruthless line of Cultural Marxism and Critical Theory. This leads to an inversion of traditional values, where the values that have served Western civilization for thousands of years are painted as negative features. The male desire to protect women from danger becomes “patriarchy” and “paternalism.” The drive to attain mastery over the self and the environment that almost entirely defines Western culture is repainted as “authoritarian personality.”
The normal desire for marriage and children becomes “heteronormativity,” just one option among many and a bad one at that. An appreciation for the philosophical and cultural achievements of Western civilization is “white supremacy,” an arbitrary system with no goal other than to keep other races down.
There is also this process identified by a semi-famous KGB agent, Yuri Bezmenov:
- Demoralization: This is whereby people are made to lose faith in their own culture and their institutions. Society is made to be something that isn’t worth fighting for.
- Destabilization: During this phase, the culture and society itself are made unstable. A situation is created whereby “anything can happen” and people simply cannot rely upon things to be the same from one day to the next.
- Crisis: The manufacturing of a large crisis about which “something must be done.”
- Normalization: The “new normal.” The new way of doing things is normalized through constant propaganda that this is “just how the world is now.”
All of these ideas are likely familiar to you. That is because, when considered objectively, Cultural Marxism has been a resounding success in the Western world.
Cultural Marxism Origins: Also check out these topics at CNN or FOX News. Other sources may be New York Times, USA Today, the Washington Post or from the British angle, BBC, The Guardian, The Telegraph or Financial Times.
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